Sheesh! So Tan Pin Pin does NOT have plans to upload her banned film, To Singapore, With love, on YouTube. At least for the moment. And there I was hoping to get a free screening! She’s going to re-submit it for rating although how this would get past MDA’s strictures without making further cuts to the tales of the nine exiles, she didn’t say.
May she succeed like Ken Kwek did, getting an R21 rating for his Sex.Violence.Family Values film which was initially banned from public screening in 2012. ST had an intriguing bit of info, indicating that a “purely private’’ screening is allowed. Now, this is odd given that the film was deemed “Not classified for all ratings’’. So what is a purely private screening? At the home of Tan Pin Pin?
Unlike Mr Kwek’s film which was deemed racially explosive because some parts could offend Indians, Ms Tan’s film was whacked with the “undermining national security’’ label. That’s heavy.
According to MDA, she let the interviewees get away with untruths about their past, like forged passport info and absconding from National Service. It is not true that they had to leave and not true that they can’t return to Singapore, it said. I guess this means that they probably haven’t been put on the “ban’’ list of the immigration authorities to be turned them away if they showed up at the airport. Nor are they on some “wanted’’ list.
ST helpfully included some background on ex-Communist Party of Malaya members such as Eu Chooi Yip and P V Sarma, who returned from China in 1991. I wonder what the two had to do when they got home. Because it seems that the nine would just need to agree to be interviewed by the authorities on their past – probably a renunciation of communism. But there was also this line “Criminal offence will have to be accounted for in accordance with the law’’. Goodness! Isn’t this an indication that the NS abscondees and passport forger would charged for crimes? You wonder then why they wouldn’t want to return home…
In any case, ST said that about 40 members of the filmmaking and arts community have criticised the ban, calling on the G to release the film so that viewers can make up their minds. You know, whatever these exiles did, it was a very long time ago. I doubt that there are many people here who would want to pursue the communist ideal in modern Singapore. But many people are interested in the past, having only heard about some of the names that Ms Tan interviewed, like Tan Wah Piow, now 62.
But the key point is whether the G believes that such paternalism is needed to safeguard national security – or whether it is merely insisting on its own narrative of history. As an IPS academic said in TODAY, a determined audience would get hold of the film somehow. Better to un-ban it and have the G release its own version of events. After all, if the film makes its rounds on the Internet, wouldn’t the G have to counter it? If it is such a detriment to national security, it would have to do something about its exposure.
Actually, my other question is whether Ms Tan considered taking into account the G’s view of what the exiles might have said in her film. That would have made for a more complete film-cum-documentary. Or, the G can always make its own…